In her new series of paintings, Pavla continues her previous work and updates it. She focuses again on the space around him, but this time he leaves architectural elements behind and focuses more on organic and vegetal forms. The new series of watercolour paintings is characterised by subtle colour and occasional interventions with drawing. The artist sensitively explores the transformations of forms, structures and materials. She is inspired by them and composes them into various unusual shapes, which may resemble landscapes, various early forms of life or specific shapes of the female body. Together, these three seemingly unrelated aspects of the paintings engage in a dialogue, inviting the viewer to reflect on the theme of the contradiction between nature and civilised society or on the relationship between the individual human being and nature. The fundamental shape for Gajdošíková in this series is a kind of cocoon, which can be interpreted in various ways. It refers both to the themes of death and funeral rituals, but also to the birth of new life. It is also a kind of imprint, a trace of life, whether emerging or ending.In ceramic objects, bowls, the artist experiments with matter and colour, creating objects that mirror the paintings and at the same time communicate with them and complement them. Here, Gajdošíková models special hybrid forms that often take the form of a living object, while still remaining inanimate. What is also interesting in Gajdošíková's work is a certain ambivalence both in the reading of symbols and in the imaginary game of whether they are real natural objects or ceramics.
